depressed mothers tot swallowed pills in front of Mimi and daughter is hospitalized. Uncles decided to take care of the brat, but the child seems to attract the attentions of his uncle Jean-Pierre. Lucile Hadzihalilovic is a name that tells you little or nothing, and it will be necessary for you to tell me something: the Hadzihalilovic is the wife of Gaspar Noé, not only, it is also his co-worker almost always produced that gem avendogli I Stand Alone is (1998) and helping in the process of writing some of his films including the recent Enter the Void (2009).
La bouche de Jean-Pierre (1996) dates back to the origins of chronological production of these two brilliant minds film, but there is already trying to wrap a thorny issue in a suit sewn authorship.
The film runs 50 minutes in which there is limited almost never move away from home environments. What is external only by television filters (for condemning those who kill a child?), Newspapers (Turkey asks to join the European Community), neighbors (the petition against the tenant Arabic). The tense atmosphere in which wanders a certain uneasiness in the world is a container-Mimi, a girl without a room that has seen almost live on his mother's suicide.
The flaw in director wants to "take" to make the viewer conscious of the fact that Jean-Pierre is attracted to her granddaughter. The small signs of forced like his uncle watching a porn movie or accidental entry into the bathroom while the shower Mimi, are addressing a small script that you want to venture too becomes almost a foregone conclusion. And then you realize that when uncle and nephew will remain alone in the house something will happen. But diverted to the potential morbidity which fortunately did not materialize, it is interesting to note what are the consequences due to the advances of Jean-Pierre joined to a denial of freedom (do not touch the dolls, "not to make friends with neighbors"), Mimi and those consequences are devastating.
by more or less itchy traps to genre film (reminiscent of Immorality , 1978), the film maintains a trend of art films with stylistic choices in fine detail as to insist on mouths become the hypocenter of the story - first: the pills go from there, during: the kiss denied after: more pills to go back there - that while underlying margins predizione è presentata con una discreta qualità di fondo.
Locandina da applausi.
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