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Tierra

The wine can land because of an insect called the cochineal. Angel, mentally ill and now exterminator, he went into town to clean up, but soon meets the love, or rather two ...
Medem
The third is about the same as we know it nowadays. With Tierra (1996) once again expresses his desire to tell all and aggravation of making films through components of the film that carries the film in a surreal land of myth, where everything can happen. Central point of his filmography is the split personality, or more generally the possibility of risemantizzare an element with a new look and a new interpretation given by the entry in the series that often chases, past and rewinds. In this regard, it is impossible not to mention Lovers of the Arctic Circle (1998), soon after this work and probably rightly considered the best film by the English so much to be said in Mr.Nobody (2009 ) by Jaco Van Dormael. In Tierra

is evident incubation of poetic medemiana because we have to move in a diegesis that is stratified As the narrative proceeds, and in which are revealed to the usual ghosts of Medem. It has a protagonist who haunted by his double (his conscience?) Is torn between two women, more about the background we see a scenario in which the nature is at the service of history: the land divides the two worlds, that of insects and that of humans, imbued worlds, however, unexplained mysteries of all be traced back to the dichotomy ultimately life / death.

However, since the seminal work yet there is a weakness of the story to be found emaciated nice but not exciting - indeed the common thread sentimental mold is brought inflation for example - and a characterization that creates shapes from the single carat, and so we will see a soldier who will always and only a man in uniform, a nymphomaniac who is always aggressive and only one woman , a hunter who is always grumpy and just a bad person. Their delineation is too sharp, and although part of a much disputed caricatured looks very interesting.

That is the antithesis of self-multiplication of the work that similarly to Lucía y el sexo (2001) is constantly new ideas within yourself to continue to be a story. Confusion between the poor performers and the frame in which they move are flashes of a good film that leaves a feeling of untapped potential, a bit 'the leitmotif of his career by Julio Medem.